I published Walt Stricklin
's gorgeous composite panoramas "Made in China
" in the magazine almost three years ago now. Walt has stayed prolific in the meantime. Based in Alabama, Walt's been photographing rural churches and composing them thusly:
I love Walt's statement on the series:
"Being the son of a hell fire and brimstone Southern Baptist preacher and growing up in country churches across the South and southwest, this project would seem to be a natural fit. Unfortunately, my father and I never quite saw eye to eye on religion and for the most part, my religious views have not changed or softened. But, rambling through the backroads of the rural south has brought up feelings I had not expected.
I have had a conversion, not religious, more of a societal conversion. I started seeing things with the softer eyes of age. There is something special about rural church buildings. I am starting to understand the strength, comfort and sense of community they bring their congregations. Even the architecture seems to ground the soul in the common sense ways in which they are built. They have the feeling of country grandeur without overwhelming the sensibility of the rural lifestyle."
I know Charles Traub
as the founder and chairperson of the MFA Photography, Video and Related Media department at School of Visual Arts in New York so it's a pleasure to get an insight into his own, 50-year archive.
His book Dolce Via: Italy in the 1980s
is published by Damiani next month. "This volume is the first comprehensive compendium of his vivid color photographs made in early 1980s Italy, from Milan to Marsala. Characteristic of Traub's imagery is a candid intimacy that combines humor and spontaneity, which makes us long for an Italy that maybe only once was. Brilliant blues, reds, and yellows engulf the baroque posturing and gestures of strangers and ordinary people who become fond archetypical caricatures."
is a second-career photographer (he trained to be a geologist) whose work is often mysterious and eery, exploring man's, and time's, influence on nature. In this emotional project he explores the desolation of the beaches that are the destination of so many hopeful immigrants.
"In 'Touch Ground
' I photographed beaches, harbors, cliffs: places where, in recent years, migrants went ashore (or just attempted to arrive) from North Africa. It's an exploration project on a firm ground, a coveted place, object of hopes, tragedies, happiness, disillusion, and sometimes, death. Places that at night appeared full of meanings and in which I perceived absences that have influenced me, as indeed as a whole a migration of epic proportions has done. It is then, once again, a work on the borders, in this case between sea, land and men. Seascapes, and yet "places of the present", places of contemporary history, theaters of tragic events for some, simply "sea" for all of us.
"Living in Sicily, I could not but be impressed by the size of the migration phenomenon and I got in touch with some immigrants who arrived in 2002, and who are now living among us. I wondered how the 'ground' is for those who see it after weeks at sea, those more fortunate than the others. Anthony told me, in an uncertain Italian, "Sea, sea, sea, fear, fear, fear." Then, finally, a light, a landing. A possible salvation but only for those who are really lucky." Massimo Cristaldi.
Joel-Peter Witkin's Developer Tray, © John Cyr
Go full screen for this second feature from the series, and let your imagination develop your favourite images from each photographer.
NY locals: there is a book launch and talk on Tuesday, March 18th, 2014, at the Powerhouse Arena, in DUMBO.
Here's another photographer I met at PhotoNOLA
portfolio reviews. Bruce Morton
studied photography, spent a year in the UK as a visiting artist (we did, as one always can, bond over British weather) but he took up landscaping and only returned to photography a few years ago. Bruce's positive personality and open nature is reflected in his imagery.
His lovely book, 'Forgottonia
,' is rich with a local's perspective of an isolated community, and is currently in its third printing. With a foreword by Aline Smithson
and editing and book design by Paula Gillen
"[Forgottonia] is actually the nickname for several counties in far west central Illinois. The reason for the nickname started in the 1950s and 1960s when the interstate highway system was being designed and constructed. Many times a route from Chicago to Kansas City, which would run through the heart of this region, was considered but never built. The people in power believed such an area did not need the infrastructure. Education and manufacturing also suffered with lack of funding and promotion. One college closed its doors and moved to Wisconsin. Trains, which moved goods from one small community to another, ceased to operate. Jobs were all related to the farming and cattle business. Many of the graduating seniors from local schools could not wait to leave this forgotten land. I was one of those.
Life has changed here but not necessarily for the better. Young people still hope to leave to find a better future. The overall population has steadily declined and the only jobs are still farm related. Small farmers are succumbing to the larger operations. In 2007 I decided to return to my homeland and photographically document this area that I once considered to be the most boring place on Earth. I am excited to be back with new eyes to hear old stories from long past friends and look forward to the new ones yet to be told. This book of photographs is a story about the life cycle of those who live, love, and die here."
"This is what fracking looks like from the surface. The pipes leading into the well head are connected to the trucks in the background. These trucks force water mixed with proppant - sand and tiny ceramic balls that keep the cracks propped open (hence the name) so that oil can flow towards the well pipe - and chemicals down into the well at 10,000 PSI." - John Mireles
The Bakken formation is a rock unit from the Late Devonian to Early Mississippian age occupying about 200,000 square miles of the subsurface of the Williston Basin, underlying parts of Montana, North Dakota, Saskatchewan and Manitoba. Oil was first discovered within the Bakken in 1951, but past efforts to produce it have faced technical difficulties. Hydraulic fracturing and horizontal drilling technologies have caused a boom in Bakken production since 2000 and the area has emerged in recent years as one of the most important sources of oil in the United States.
Oil production has now outstripped the capacity of the pipelines to ship the oil out. It was Bakken crude oil carried by train that caught fire in the Lac-Megantic derailment in Quebec last year.
In John Mireles
' series he combines portraits, landscapes and documentary imagery to tell us about this oil boom in North Dakota.
Hyper-local is the future. Hoxton Mini-Press
is a new publisher making books about East London. You can buy books individually, very reasonably priced at £12.95, or take out a subscription for future books.
"I've Lived in East London for 85 1/2 Years" is the first from the series 'East London Photo Stories' and features photographs by Martin Usborne
of Joseph Markovitch who "has left London only once to go to the seaside with his mother. He loves Nicolas Cage, has five sugars in his tea, would have married a six foot two Hispanic woman but in the end had bad chest catarrh and never had a girlfriend."
The first run is already sold out but a second printing is in the works for next month.
You can see Usborn's photos in '51 Faces of Hackney,' an exhibition on now through March 30th, at The Proud Archivist
, 2-10 Hertford Road, London N1.
All images © Martin Usborne
This is what a free Getty-served embedded image looks like. I'm hoping this means at least any website that gives a shit about how it looks won't be inclined to go this route.
What I do think it means, and I have been saying this for years, is that if a publisher wants to differentiate themselves from the rabble they will HAVE to pay for content. But if the industry can't provide photographers with enough revenue, they won't be able to produce good content for future consumption by anyone.
William Lyon Mackenzie King and Winston Churchill, 1941 © Yousuf Karsh
We're all familiar with the portrait of Winston Churchill
that Yousuf Karsh made in December, 1941, after Churchill finished his famous "some chicken, some neck!" speech at the Canadian Parliament. The story behind the Roaring Lion, as the photograph has come to be known, is not apocryphal: Karsh did whip the cigar from Churchill's mouth. But the funniest part of the story is that William Lyon Mackenzie King, Prime Minister of Canada, kind of set Karsh up. He hadn't told Churchill he was to be photographed and Churchill was not amused upon being delivered to Karsh's set. "Why was I not told?" he bellowed, and apparently everyone else in the room laughed. "This did not help my cause any!" complains Karsh, in this fabulous clip from "60 Minutes with Morley Safer
Churchill gave Karsh permission to make one more photograph, in which he is smiling broadly, as he is here, where Mr King has clearly enjoyed his little game.
"Ten thousand impressions of what happened to my friends today"
(10,000 pieces of photographic papers from images posted on my social media in one day. On canvas, 36 x 48 in)
A smart, well-executed, fun, insightful and current project from LA-based architectural photographer and fine artist Chang Kyun Kim
. "We are given countless images and abundant info every day and the Internet society seems to connect people with different ideas and thoughts. However, I believe majority of people choose just a few media and the images from these major media play a huge role in defining what's beautiful and ugly, what's good and evil and even what to expect from things that we've never seen or experienced before. In this sense, I believe it is very likely that we all have some similar memories that are directed by the given images.
In this series, I wanted to visualize the state of before or after certain collective memories - that seem to be chaotically diverse and complex, but similarly patterned after all - by deconstructing certain images we often see online and randomly placing the deconstructed particles on canvas."
Six thousand impressions of Times Square
(6,000 pieces of photographic papers from an image of Times Square in New York City. On canvas, 30 x 40 in)
Twenty five hundred impressions of the most searched celebrities
(2,500 pieces of photographic papers from images of 10 most searched celebrities in 2012. On canvas, 36 x 48 in)
Three thousand impressions of U.S. Senators
(3,000 pieces of photographic papers from images of 100 U.S. Senators. On canvas, 30 x 40 in)
Two thousand impressions of Las Vegas
(2,000 pieces of photographic papers from images of Las Vegas Strip on canvas, 30 x 40 in)
Twenty five hundred impressions of Central Park in four seasons
(2,500 pieces of photographic papers from images of Central Park in New York City on canvas, 36 x 48 in)
Three thousand impressions of Jesus Christ
(3,000 pieces of photographic papers from a portrait of Jesus Christ on canvas, 30 x 40 in)
All images © Chang Kyun Kim
Take a look at Chang's black-and-white negative renditions of California's modernist architecture in "Recalling modernity in reverse" over at the Photography & Architecture blog.