was born and raised in China, and is now living in New York. 'Package from Home' is a nicely-executed, easy-to-consume, perfectly-encapsulated photo project, to which many of us can relate - especially in NYC where about 1 in every 2 of us claims to be an ex-pat.
Mum's favorite soup
Chen tells the story: "In the summer of 2011, during my cousin's pregnancy, we got a package from home, which was filled with various necessities for her puerperal period. Not long after that, one night, I had a dream. I am not the type of person who dreams very often. In the dream, two of my front teeth fell out with the teeth in my hand, unceasing tears flying away, I recalled the doctor told me a couple of months ago in reality that if I didn't do a full examination of my left eye, and know what the problem is, I might lose my vision forever. So I started running, running, until the tears washed me back into the reality."
Still Life with Herb and Plastic Bag
"I would not have this project if I hadn't opened the package after I had the dream. When I was unsealing it, it wasn't the act of opening an almost smashed box, but the feeling that was unfolding my memories, all the emotions, happiness, past, sadness, all the connections that I had with my family and homeland. I wanted to break the geometry boundary between my small family in America and big family in my country. Adding the props from the house in the U.S. allows me to live in the imagination that we are still together, nothing can cut off the root, and we are tangled up as a family until it doesn't matter whether it is the transient moment or longer than that."
Stil Life with Hair, Garlic,Ginseng
"I was born in 1980, in Tirana, Albania. My family lived near the Enver Hoxha residence, (the Communist leader of Albania from 1944 to 1985), the most developed part of the city, during that time. I remember the beauty of that place: the parks, the shops, well-dressed people strolling around. When I turned 11, we came to Greece because of the political, social and economic situation that my country was going through.
Albania is a small country in the heart of the Balkans. Despite its rich culture, people outside do generally not know much about it. It is also my homeland, the place of my early childhood. I grew up separated from it, and returned later to pick up the threads that were left behind. What I found was modernity and tradition living together. I traveled a lot and started to know my birthplace, the people, their mentality, and their traditions. I felt very welcome, and was fascinated by all the people I met. They were kind, friendly and curious about my work.
I made this journey together with my wife. When people realized we were a couple, they were very open, they welcomed us inside their homes and extended wishes, blessings and congratulations. Marriage is very important in Albania. Everyone has to get married, it is considered to make men stronger and more respected in society.
In this photographic project I would like to show the everyday lives of Albanian people - the big picture, as well as the small, seemingly insignificant moments. What impressed me most was the strong family union, the connection among people. I found it everywhere - in married young couples and their babies, at a funeral ceremony where relatives shared their pain, at a wedding party, or when a son accompanied his father at work. I didn't see any lonely people."
A Man Feeding Swans in the Snow © Marcin Ryczek. 1st Place winner in the Landscape/Seascape/Nature category
I was honoured to be invited to be a juror again for year two. This year I was in the company of photographer Hiroshi Watanabe; Director of Galerie Camera Obscura, Paris, Didier Brousse; author, curator, and former Chair of the Department of Photography at The Art Institute of Chicago, David Travis; Anne Biroleau, Curator of Photography, Bibliothèque Nationale de France; and Alexandre Percy, Director of ACTE2 Galerie, Paris. The competition was sponsored by the Paris-based DeGroot Foundation. The Grand Prix de la Découverte winners' prizes included a trip to Paris for the opening of the exhibition; each won cash, are exhibited at Paris Salon de la Photo, and have been accepted into the prestigious collection of the Bibliothèque Nationale de France
. C'est magnifique!
make pocket photobooks - collectable little marvels, costing £5. One of their current releases, 'Ghost Ships,' features images made in artist Simon Jones' old house and "takes us on a voyage of discovery through frayed carpets and other domestic hazards."
Jones makes "photographic artworks about memory, which usually involves the creation of small dioramas captured on location with a single exposure."
Along side the books, Aglu offer small-run limited edition prints. They publish six books per year and are interested in submissions.
has been working in India for the past two years on a series of beautiful portraits of Tibetan refugees and nomads, large-scale prints from which are on show at Sous les Etoiles Gallery
in Soho, New York, through November 30th, 2013.
David says: "Much of my work for the past fifteen years focuses on issues of human survival, and adaptation in the aftermath of catastrophic events. The causes of these events are varied - from economic hardship in the southwest US, to the 2010 oil spill in the Gulf of Mexico, to northern India where 100,000 Tibetans have fled Chinese occupation."
"I have lived and worked in India for many years, and this past year, along with my wife, founded the Himalayan Art Centre - a free school teaching photography and visual storytelling to underserved regions of the southern Himalayas. The Art Centre in north India will also serve as a meeting and workshop space for visual artists and writers from around the world."
I really like these new images from Patrick Fraser
, whose series 'Parada
' I published earlier this year. Wanting to shoot something other than people, for a change, Patrick worked with a food stylist, Maggie Ward, to set up the fun, fresh photos. Using large format film he photographed them once, then left them in his garage for six months before shooting them again with the same set-up.
"Ultimately I was just making a metaphor for life and time passing in a simple photographic essay."
Breezy Point, Queens, November 4, 2012 © Natan Dvir
Over the course of five days beginning October 22, 2012, a storm developed in the Caribbean Sea that would ultimately kill at least 286 people in seven countries. Hurricane Sandy hit New York on October 29, and New York-based Natan Dvir
photographed the immediate aftermath. The Weather Channel
recently sent Natan back to the exact locations, at similar times of the day, to show what has happened since.
Some of Natan's photographs are on show as part of 'Rising Waters
,' an exhibition on now through March, 2014, at the Museum of the City of New York.
Award-winning photographer Natan Dvir
was born in Israel, and now lives in New York. He "focuses on the human aspects of political, social and cultural issues." Dvir is widely published and exhibited in the US and abroad.
Peter Turnley's new book of 40 years of moments of love.
It's a year or so since I first heard from Brendan Barry
and I was thrilled to get this update on his motel rooms. Not content with a set of deeply uncanny photos, Brendan is taking the images to a different level. Inspired by the American short story, he reached out to some writers who have influenced him and is now collaborating with author Jeff Parker on a book of photographs accompanied by fantastic tales. Let's hope it's on the shelves soon.
'Motel 6, Utah'
Motels and hotels. What difference does a single beginning consonant imply?
As an adult, there is a simple answer: A hotel is where you want to be. A motel is where you are at.
The best motel has a pool. I have been going to the motel pool for near to thirty years now looking, probably, for some brunette-haired girl who I met at a motel pool thirty years ago when my grandparents took me to Disney World and left me play with her, thinking it an all-innocent kids thing when even then it wasn't exactly that.
This motel does not have a pool.
This motel has a window in the door.
That is the level of excitement on which this motel is operating.
But I am good with that. I am right with that. I am fine with that. Right fine with that level of excitement. In the disappointment of wrong brunette-headed girls in my life, I have come to be right fine with a room with or without a view. A motel with or without a pool. A sheet to pull back. A TV to light my path to the bathroom.
'Clean Rooms, Low Rates'
Photos: Brendan Barry
Calcutta-based photographer (and painter) Subrata Biswas
returned from Muzaffarnagar and posted some images on Facebook. I was fortuitously online, and Subrata agreed to a feature about this sad series of events.
"On 27th August, 2013, two Jat brothers of a girl kill a Muslim man for stalking their sister and later the stalker's family kills both of them. This revenge killing sharpens the communal violence in Muzaffarnagar in Western Uttarpradesh. The two Jat brothers are beaten to death by a gang of agitated Muslims when they go to talk to the family of the stalker in Kawaal, an interior village in Muzaffarnagar. Following the high tension of these brutal murders, situation escalates into a major communal riot claiming about 45 lives and injuring many. Many Muslims have fled away. Kawaal which was populated by Muslims and Hindus in equal numbers was now a Hindu-majority village. In fact Kawaal is not the only village in Muzaffarnagar to have witnessed such communal violence and a resulting transformation in population. In all villages where the Hindus were predominant, the Muslims have left their homes. And the reverse has happened in Muslim majority villages." Subrata Biswas.