told me about this project I was really moved. She talked of the many trips she took with her family to visit Hindu temples and the ubiquitousness of imagery of deities in India, and that when she relocated to the States, art galleries and museums became her pilgrimages.
As commonplace as paintings and sculptures of Hindu deities are, there are no photographs. Manjari intends to change this by creating a series of photographs of specific gods and godesses, with every detail included, created from scratch. Just take a look at what she achieved for Maa Laxmi. Manjari's Kickstarter campaign
is already 25% fulfilled; there are plenty of rewards available so why not consider helping to fund this project and we can all go see the enormous results in a gallery near us soon!Maa Laxmi © Manjari Sharma
"My central concern lies in exploring transitional spaces, those in-between places where architecture, landscape and the built environment often intersect, and where a dialogue - of absence rather than presence - is created. My practice is driven by explorations of these charged, shifting entities - buildings that have come to the end of their functionality, the changing functionality of a landscape, human interruptions in the landscape - that exist in urban, rural and suburban contexts. The resultant photo works are realised both with the gallery space and as site-specific installations and interventions.
One of my most recent projects involved documenting the deconstruction of the former Maze Prison in Northern Ireland, culminating in a site-specific installation at the prison facility itself. Previous work has also included interrogating the dystopic architecture of the Parisian suburbs, the changing face of the new motorway system in Ireland, and the physicality of the planning system in the rural west of Ireland. I am now engaged in a long term and ongoing documentation of the European Borderlands, with a recent emphasis on Eastern Europe.
The deserted spaces of the East European national borderlands are spaces in flux. Devoid now of controls, they are in the process of being decommissioned and abandoned. No longer points on a map, but neither fully blank spaces, they are spaces-in-between, and are difficult arenas to absorb and comprehend. This photographic documentation looks at the transitory nature of the present day European border checkpoints and crossings and what it says about the relationship between society, identity architecture and the landscape in a united Europe."
The one and only Betty Ford, 1918 - 2011
Calgary Stampede © Yousuf Karsh
Prince William and Duchess Catherine attended the annual Calgary Stampede this year. Mr Karsh took this photograph in 1953.
, Julie Grahame
, and Allegra Wilde
are excited to announce IN THE LOUPE
, a WebTV show that will premiere at the end of July. It's TV with the three of us, talking about everything photography.
IN THE LOUPE has information, attitude, interviews, reviews and real photo news. We're not shy about telling you what we think, and we'll have special guests talking about their work. Nothing is off-limits. Agree or disagree, but you won't be bored.
If you've got a project or a book coming out you'd like to promote, a show about to open, a Kickstarter or Emphas.is project you need to raise money for, or just have an idea or suggestions to make, let us know! If we think it's interesting, we'll put you on the air.
And of course, if you've seen some amazing work you think we should know about, tell us!
Should you want to sponsor or advertise with us, drop us a line.
We've got a Tumblr blog here
and you can get a taste of what's to come by watching the trailer. IN THE LOUPE plans on being THE place for photography talk. Join us!
This is a blog in love with photographers. Scroll down aCurator's page and you'll see one photographer's name after another in bold, black letters with sharp, seductive images in between. These posts often link to glorious, full-screen features -- free of surrounding navigation bars and text -- on the main aCurator.com site. ("Frustration with a lack of full-screen images led me to publish aCurator," explains founder and editor, Julie Grahame.) But the signature strength of the aCurator blog is, in fact, suggested by its name. Grahame is a curator with a flawless eye and, in her assessment of the work she presents, an immediately trustworthy, no-frills tone. ("Miriam O'Connor is my latest crush," she writes, introducing one young photographer's pictures. "Her [series] 'Attention Seekers' filled me with joy; it's refreshing, smart and humorous.") aCurator's triumph is a clarity of purpose wedded to a keen intelligence, and a willingness to let its stunning photographs largely speak for themselves.
- Life.com, June 2011
"I thought that if I was gay, I couldn't have kids." El Segundo, 2009.
Another important series, this from Stefan Jora: "The Gay Families Project
". Stefan is hoping to expand the project to Washington State. If you're feeling fundy, you can easily support the project here
. Benefits start at only $1.
Leaving for work. El Segundo, 2009.
"The Project has as an objective the creation of a photobook featuring American families with parents who identify as lesbian, gay, bisexual, transgender, or queer. Informed by the past, while drawing from the present, and looking to the future, the book has the potential for creating awareness about the commonality of such 'gay families', especially for viewers in parts of the world where ill-informed homophobia is prevalent. Thematically, I am interested in exploring the intersection of the mythical, homosexual, and political in American culture, and am aiming for a book that will contribute to the discourse on what constitutes the proverbial American Dream in the 21st century.
I have been working on this project for close to two years, and have thus far met with and photographed over twenty families in California. With your support, I plan to photograph families living in Washington state this summer, which will give me a better idea as to whether I need to expand the Project to other U.S. states in the future, or continue and complete it in the Golden State alone."
In bed with the egg donor. San Mateo, 2010HIV-positive parents. San Francisco, 2010
Heading to the playground. Mill Valley, 2010
Priscilla, Jones Beach, 1969 © Joseph Szabo
Incoming news from Jackson Fine Art
in Atlanta - they are thrilled to have Jospeh Szabo's 'Jones Beach' on exhibition this summer. As well they should be - just look at these!
has been photographing his teen-age students for the past
twenty-five years, and has perfectly captured the ambivalence of that
time of life. As a high school teacher of photography, he takes
seriously their pretentions, passions, and confusions, and he knows
intimately how students put on, act up, behave, and misbehave. As
Cornell Capa (said), 'Szabo's camera is sharp, incisive,
and young, matching his subjects. One can use many adjectives:
revealing, tender, raucous, sexy, showy... in Szabo's hands, the camera
is magically there, the light is always available, the moment is
perceived, seen, and caught.'"
The 'Jones Beach' book is available from the gallery.
Lifeguard's Dream, 1972 Hey Fox, Jones Beach, 1970 Night Owls, 1971Mrs. K and Daughter, Jones Beach, 1970
All images Courtesy of Jackson Fine Art, Atlanta and the artist. Images © Joseph Szabo
and I share a common experience of the Chernobyl disaster, both British with strong memories of the events of April 1986 which, as Darren says, "got buried in the process of growing up, surfacing now and then through documentaries, movies and even video games." In 2010, he began his project.
"Walking around the ghost town of Pripyat, a city that once was the home to over 50,000 people, you can't help noticing the silence. Very few birds sing around this area and you are always aware of an invisible poison in the air, even if levels are safe enough that humans can spend prolonged amounts of time there without adverse health risks. There are areas where this radiation is still high though, certain metal objects and vehicles that were exposed during the accident, some buildings and, most noticeably, vast pools of moss which unlike the leaves on the trees, endure the cold winters and hot summers."
"My photography project spanned two trips to the exclusion zone, known as
the 'zone of alienation'. The images are taken with a camera converted
to capture in Infrared: a filter covers the sensor and blocks out the
colour part of the spectrum. This creates higher contrast in the
textures of the concrete and picks up the reflected chlorophyll in the
plants making them almost glow; these combine to produce eerie images
which show nature growing, surviving and reclaiming a city that the
world's worst nuclear accident had rendered uninhabitable for humans."
At the School of Visual Arts' MFA in Photography, Video and Related Media 2011 Thesis exhibition I saw a few interesting photographs and installations, one of which, Carly Gaebe's 'The Pattern of Your Ways', where the artist created performances to reconnect with her Czech great-grandparents' routines, necessitated the eating of fresh Kolache (a Czech pastry). A couple of the photographs in Liz Arenberg's 'you see me', a series about her relationship with her sister, were simply beautiful. I thought Chris Sellas' project 'You. I.' was interesting - Chris mailed 2 copies of the same photograph to people from his past; he'd commented on one and the recipient should comment on the other. Kimo Kim
's project was really, really entertaining. "As a student in New York, South Korean fashion photographer Kimo Kim found that her normally gregarious personality was stifled by language and cultural differences. In response, she invented a fictional fashion show set in New York and Seoul, which she planned and executed online with her best friend at home, Sodam Yoon. The video culminates with the fashion show, in which Kim sheds her timid persona to become a runway model let loose on the streets of Manhattan." It's a little long, but worth a watch.
You. I. © Chris Sellas Left: I feel like you never really let me in.
Right: You tried and tried, but the key just didn't fit.Learning To Balance from The Pattern of Your Ways © Carly Gaebeyou see me © Liz Arenberg