Studio 54 © Bill Bernstein / Reel Art Press
is well known for his work with musicians, celebrities, and much more, and not least of all as Paul McCartney's personal photographer of many years.
Disco: The Bill Bernstein Photographs
is out now from Reel Art Press
. Bill was on assignment shooting an awards dinner at New York's notorious nightclub, Studio 54. As the dinner ended, the clubbers arrived. Short on film, Bill bought ten rolls off a fellow photographer and stayed for the night. Thus began a project shooting New York's then-vibrant and ever-notorious nightclub scene.
From the book's foreword, by Horse Meat Disco
's James Hillard: "These shots capture the very essence of what going out was, is, and should be, all about. They showed the true democracy of the dance floor where anyone could be a star, as long as they had the right attitude and flair ... The pictures in this book are a document of an incredibly exciting and creative time, not only in music, but also in social, political and fashion history too.
"During this time of gay liberation, women's rights and racial equality, the dance floor transcended sex, age and status. As the Disco Bats glided across the ceiling at Barnum's, Wall Street suits partied beneath with transgender party people. Manhattan was the epicentre of disco, and Bill Bernstein captured it all."
Personally I am sorry I wasn't born a decade earlier to experience the disco scene but I have been happy to enjoy its legacy, House music.
The release will coincide with an exhibition at Serena Morton Gallery
in Ladbroke Grove, West London, from 3 December 2015 - 24 January 2016.
and I met two years ago, at the PhotoNOLA
portfolio reviews, and we really connected on a personal level, mainly because he is a really smashing person, with a solid love of and interesting eye for his artistry. Bruce has been keeping me posted, as well he ought. His book Forgottonia
showed the marvelous folk living in an isolated community in Illinois, and at last count was in its third printing.
Bruce recently sent me a copy of his newest book venture, a rather gorgeous, scrap-bookish, but delightfully made limited edition piece that intersperses images that feature material, with material! I absolutely love my copy.
There are only 50 copies being made and most of them are sold, and at $20 each I can see why. Something different, something really tactile. Just great! Preview the book and buy your own unique version via his website
""Mommie: Three Generations of Women
" is a remarkable photographic portrait of three generations of women in the family of photographer Arlene Gottfried
and an intimate story of aging and the inevitable passage of time. Pictured within, we are introduced to Gottfried's 100-year-old immigrant grandmother, fragile mother, and reluctant sister over the breathtaking course of 35 years."
I am thrilled to see another book from the archives of the one-and-only Arlene Gottfried. Arlene is one of my all-time favourite people, and well deserves the recognition her fabulous historic records of New York are receiving. Off the streets and into her own home, Arlene's "Mommie" shows what it was like "living as many mid-century Jewish New York families did, the Gottfrieds were not wealthy and lacked any trappings of luxury. Close examination of their world on Avenue A in Manhattan's Lower East Side reveals a dimly lit small apartment, cartons of budget saltines and groceries, chipped paint, damaged floor tiles, guarded loose change, and well worn clothes - details natural to the lives of many families of immigrants in New York."
Mommie and Karen
Karen and cherry blossoms
Mommie kissing Bubbie
This is just one aspect of Sheri Lynn Behr
's ongoing coverage of surveillance, "Be Seeing You." She began observing the daily intrusions several years ago and has only had more material to work with since. In the city we are recorded incessantly; some of the cameras blend sneakily into their surroundings, others feel stuck right in your face like the lens of Bruce Gilden
. But Sheri also finds cameras in fields, seemingly surveilling sheep.
"We know that cameras are everywhere. We try to avoid people pointing smartphones and other hand-held cameras at us as we walk down the street, but are we conscious of all the cameras lurking above us? We know we're being watched, even in the most benign locations, yet as we become more accustomed to the presence of surveillance cameras, we stop paying attention.
"For NoMatterWhere, I photograph streets, buildings and walls, pointing my camera at the cameras that are watching me, some more noticeable than others. While I certainly believe that Big Brother can be useful in some cases, I also think we need to be more aware of the scope of surveillance in our daily lives-and how it impacts our privacy. I make these photographs to raise questions that come from the claustrophobic sense of being constantly observed, no matter where we find ourselves." Sheri Lynn Behr
Pierre Elliott Trudeau, was the 15th Prime Minister of Canada from April 20, 1968, to June 4, 1979, and again from March 3, 1980, to June 30, 1984. Karsh photographed him during both his tenures. His son, Justin Trudeau, was just elected PM this week.
"The pull of the ocean surrenders to the pull of the sky."
The start of a new series, these inverted seascapes are hot out of Michael Massaia
's magic darkroom. Massaia spent a lot of time by and in the ocean in his youth. Now he finds himself taking a different view of the elements he reveres.
He shoots black and white film, develops in pyro, and is hand printing 20 x 24 and 50 x 70 inch gold tone gelatin silver prints. Mmmmm.
British photographer Mark Griffiths
photographed eight children from Belarus taking a month-long recuperative trip to Pembrokeshire in Wales, U.K., thanks to Life Line
children's charity in Chernobyl.
The 1986 Chernobyl nuclear plant meltdown was the biggest nuclear catastrophe in world history. Now apparently "85 per cent of Belarusian children are deemed to be Chernobyl victims: they carry "genetic markers" that could affect their health at any time and can be passed on to the next generation. A vicious cycle that unfortunately could continue for hundreds if not thousands of years."
Mark told me "Clean air and uncontaminated land can reduce radiation levels in their immune system by up to 68 per cent which helps fight illnesses and diseases and can add years to their lives."
Since they started in 1992, Life Line
has brought 46,000 children over to stay with host families.
"Before this tragic event, Belarus was known as the breadbasket of Russia, with a stable economy. Now the people live with radiation all around them. They drink contaminated water and wash with it. There is very little to eat in Belarus and what there is, has a high chance of being contaminated. The compromised food chain means that they now have to import a high proportion of their foodstuffs. The most disadvantaged have no option but to eat crops grown in the contaminated earth - a vicious cycle.
The Chernobyl Children's Life Line looks after children who are ill, organising respite breaks to Great Britain to give them a chance to live in a "clean" environment and eat uncontaminated foods for a month. During their stay all of the children receive medical attention such as dental care and having their eyes tested."
I'm surprised I haven't posted Ronald Reagan before. Jimmy Carter prompted me to do so. Here are a couple of Ronnie from 1980, photographed in colour as well as b/w. Which do you prefer?
Ronald Reagan looking high-brow, by Yousuf Karsh
Just one of the several black and white portraits of Jimmy Carter that Karsh made in 1981. Karsh photographed a whole twelve US presidents, coming out of retirement for the 12th: Bill Clinton
Today is Carter's 91st birthday. Check out this piece on WNYC's The Takeaway
, 'What Life Would Be Like if Jimmy Carter Won a Second Term.' "The Supreme Court might be a lot more liberal. Environmental protections might be stronger." He lost, of course, to Ronald Reagan
Claire A. Warden
's 'Mimesis' series of mysterious, magical images, references her diverse ethnic background. She says "When looking at these images, the urge to ask "what is it?" echoes the question, "what are you?", a question that has been directed towards me countless times."
This confident young artist impressed me enormously when we met at the Photolucida portfolio reviews. I recognized her images immediately, having voted for her in a competition I judged earlier this year - in fact the exhibition of winners from Flash Forward
opens in Toronto on October 8, 2015. She also has solo exhibition at the Center for Fine Art Photography
with this same series, now until October 31, and has been selected as a Critical Mass
finalist. No flies on her!
"I use saliva and manual manipulation as part of my photographic process, which steers the work away from the signifying functions inherent to the medium of photography. These methods are used as symbolic acts to expose the biologic and socio-cultural forces that stimulate the emergence and performance of an identity. This process produces a series of images that reveal certain truths in identity and simultaneously the inadequacies of language to describe oneself. Resembling systems of the natural sciences - microscopic, topographic and celestial - the photographs allegorize the complexity of systems that make up an individual and the perception of self."
Be sure to also look at Claire's beautiful series Salt Studies in Preservation and Manipulation.