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lives and works in London. His photographs illustrate several books including 'St. George's Crypt. Entertaining Angels' about a homeless centre in Leeds, and the fascinating 'Love Power Sacrifice' about Britain's Jesus Army, an evangelical religious sect. I recommend 'Sustain' on John's website, a beautiful project on dying and displaced fishing communities.
Sleeping Rough: Living on the streets of Britain.
"The latest local government homelessness statistics suggest approximately 80,000 households in England are homeless. With this in mind, photographer John Angerson spent a year engaging with a group of society that is often considered problematic for image-makers. The most common depiction of this marginalized group is imagery of people with weather beaten faces living in extreme conditions. Rather than depict the despair of being homeless Angerson wanted to convey a feeling of what it is like to live on the streets and it was this concept that gave him the impetus to create landscape images at night.
After conducting interviews with the service users of hostels and homeless charities Angerson began to build up a selection of locations across England known for being destinations for overnight sleeping. By using only the artificial light found at night he was forced to make exposures of up to 90 minutes for each photograph. This more oblique approach of documenting the dimly lit stairwells of shopping malls, or strange corners of tourist areas that would normally be packed with day trippers, invites the viewer into another world, evoking a sense of how it might feel to sleep rough."Neville Street, Leeds © John Angerson
Long-time colleague, industry consultant and renowned photo editor Stella Kramer
, interviewed me about aCurator magazine for her blog
There are still a few spots open in Peter Turnley
upcoming New York Street Photography Workshop from May 30th-June 5th.
This will be the third time it has been held. New York City in late
spring and early summer is an amazing venue for street photography and
a great place to create a photo essay/portfolio during this one week
workshop. The daily workshop sessions are held at Peter Turnley's
apartment in Harlem, which also serves as a wonderful backdrop for this
experience. The workshop embraces a "decisive moment" spirit of
appreciating the reality of daily life in an urban setting. Turnley
works with students to help them become comfortable with a sense of
purpose in photographing people, and creating a photo story/essay.
More information about the workshop description and registration can be found here
You can see images by students from the two previous workshops here
View the feature
is a man with a keen eye and a sense of humor - the opener for his website might have you in stitches. He is a prolific photographer with an abundance of cool projects to enjoy. Born in Sweden and dividing his time between New York and Sydney, Australia, Kenne has been regularly exhibited worldwide since he graduated in 1991. He has published 2 monographs, shot campaigns for Toyota, IBM, Sony and Microsoft, and produces breath-taking travel photography and portraits.
We decided to publish Karaoke, an ongoing project spanning several Asian countries.
"Karaoke bars and clubs are casual entertainment up front, and, sometimes, facades for brothels, drug dens and massage parlors with a happy ending out back. They play an important social role and are relevant to the positive makeup of the neighbourhood, but they also become places of despair, loneliness and injustice. These images try to move within the space where the two opposite emotions meet."
Kenne is repped in the US by Vernon Jolly
. Menlian, China © Ingvar Kenne
Thanks go to Mike Stimpson
for raising a smile by including Karsh's Winston Chuchill in his Classics in Lego™ homage to the great photographs of our time.
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June 20th ‐ 27th, 2010. Festivals are an expression of society and the ultimate manifestation of cultural change. Join award‐winning photographer Ashok Sinha
and renowned anthropologist Trinidad Ordóñez on an 8‐day workshop in Ecuador to observe, experience and document the otherwise "hard to reach" Conquistadores. There's a discount for members of ASMP and ASPP. See EcuadorWorkshop.pdf
for more info.El Quinche festival © Ashok Sinha
"It's hard to believe that when I began this project in 2006 the issue of gay youth was just beginning to gain national attention, most notably with a cover story in Time Magazine
titled 'The Battle Over Gay Teens' (Oct. 2005). The article stated 'Kids are disclosing their homosexuality with unprecedented regularity - and they are doing so much younger. The average gay person now comes out just before or after graduating high school. In 1997 there were approximately 100 gay-straight alliances (GSAs) - clubs for gay and gay-friendly kids - on U.S. high school campuses. Today there are at least 3,000 GSAs - nearly 1 in 10 high schools has one. In the 2004-05 academic year, GSAs were established at U.S. schools at the rate of three per day.'
Since then, in just four years, the issue has become a kind of fait accompli. Americans may continue to argue about teenage sexual expression, school sanctioned GSAs and gay marriage, but clearly all are here to stay.
The idea for this project arose from my own desire as a gay teenager to be given a voice. I desperately wanted to be made valid in the eyes of my peers. Coming out (and of age) in the 80's proved to be quite difficult for me and many others. I'll never forget being beat-up by a high-school classmate as I'm sure all the other kids who suffered because of their sexuality will not forget. It was precisely this kind of willful, painful defiance that I wanted to capture in these portraits. But what you may also see is the delight that is the domain of a new generation... the sheer joy of being able to stand up and be seen without shame." - M. Sharkey
, Brooklyn, April 2010
So far, this project has taken Sharkey to New York, California, Colorado, Florida & Washington State. View the feature
.See more of the project
.DeMarques © M. Sharkey
"I'm interested in what we define as beauty, when we choose to create it ourselves. Beauty has always been a currency, and now that we finally have the technological means to mint our own, what choices do we make?
Is beauty informed by contemporary culture? By history? Or is it defined by the surgeon's hand?
Can we identify physical trends that vary from decade to decade, or is beauty timeless? When we re-make ourselves, are we revealing our true character, or are we stripping away our very identity?
Perhaps we are creating a new kind of beauty. An amalgam of surgery, art, and popular culture? And if so, are the results the vanguard of human-induced evolution? As a race, is this the beginning of a new direction?"Image and text © Philip Toledano
"I take a cultural documentary approach to my photography as a means to promote democracy."View the feature
When we met, Ashok Sinha
had just returned from two years photographing in Asia. "While working as a photographer on an extended trip to China, I became increasingly aware of the plight of the ethnic Uyghurs and other Muslim minorities that inhabit the northwestern province of Xinjiang. As a result of the government's efforts to assimilate the Xinjiang peoples' cultural uniqueness into the 'official' mainstream of Chinese society, the local culture was increasingly under threat and I realized I needed to document the traditional lifestyle of Uyghurs before it changed forever.
Uyghurs are a Turkic-Muslim ethnicity and one of China's fifty-five nationalities. Along with other Kyrgyz, Tajik and Kazhak minorities, Uyghurs have inhabited the Xinjiang region of northwest China for centuries.
The existing body of work from my first trip is an attempt to create a visual record of the Uyghurs' traditional culture and lifestyle as a testament to their unique identity. I hope to travel to Xinjiang to continue my work and revisit the Uyghur community in the aftermath of the latest developments of the last year and a half." - Ashok Sinha.A Xinjiang family of Kyrgyz heritage © Ashok Sinha
The Specials played in New York last night. Janette Beckman
, who last photographed the Specials on their 'Seaside Tour' in 1981, when she was terribly young, gives her review.
"The Specials played to sold out crowd at Terminal 5 in NYC last night. Quite a few sentimental old souls had a tear in their eye as the band was just as brilliant as in the old days - in spite of not having Mr Dammers. The crowd went wild - I observed some serious skanking and a few fights going on. The skinhead look has always been a good one and pork pie hats and suspenders were definitely the thing last night."© Janette Beckman