Rocio De Alba quit booze and took up a camera in order to regain control of her life and mental health. Having suffered from an excruciating irrational fear since childhood, and self-medicating in order to cope, this artist finds photography to be a savior. Independently productive, Rocio's concentration is on the frank portrayal of modern families, relationships and structures.
Wonderful work from a young woman I met at University of Wales Trinity Saint David in Swansea in the UK last year. Generally, the students were working on fairly mature, worldly projects. Rayhannah Ali says of her imagery "My work is about family and using collage to express different feelings of situations and meanings reflecting back to a South Asian culture." Unable to choose, I went with two projects. UNUNDERSTOOD is an embrace of and homage to the graphic imagery of Shirin Neshat while The Disturbance uses mixed media and family photos for a provocative experience.
New Yorker Erica Price gives us a last glimpse at the Streit matzo factory, which recently left Manhattan's Lower East Side for a new home in New Jersey. Streit's kosher food was established in 1916 by Aron Streit, a Jewish immigrant from Austria, and the factory was making matzos at their Rivington Street location since 1925, operating two 75-foot ovens, producing 900 pounds of matzo per hour.
Don Whitebread is a self-taught photographer whose photographs have been widely exhibited and well published. He fell for the night skies when camping as a kid, are he makes these mainly in the sweeping American West. Don also now teaches others the art of night photography. Visit his website for magnificent flora and fauna and more.
Some of Don's gorgeous photographs made in Yemen, in 2010, were published here in the blog in 2011. Don was able to visit as Yemen was "on the cusp of political and environmental disasters that may soon put an end to the Yemeni's proud, traditional and ancient lifestyle."
Last month, I was talking to a photographer I admire enormously and he told me had just seen one the best photographs of his life, at Yossi Milo here in NYC. It turned out to be the above 'Two Girls' by Chris Killip, whose photos I have much admired after embarrassingly only discovering him rather late in life. The exhibition was ending the following day so I bunked off work for the afternoon and headed to Chelsea.
Yossi Milo Gallery's presentation of fifty gelatin silver prints from the photographs that constituted his book 'In Flagrante' (Secker & Warburg, 1988) hand-printed by Killip, is the first time since 1988 that the series has been exhibited in its entirety and the first time ever in the United States. The images are culturally familiar and endearing to me and it was interesting to talk to some of the American viewers about the miners' strike and the Queen's silver jubilee street parties I remember so well.
The unassuming photographer has been working at Harvard as professor of visual and environmental studies for many years and apparently will soon retire and cease printing his negatives. So if you're thinking about purchasing a print, now is the time to do it.
Yossi Milo is pleased to announce that the J. Paul Getty Museum now owns a set of all 50 of Killip's prints and will mount an exhibition in the coming months. The book, In Flagrante Two, is out now from Steidl.
Amongst the many emails that drop in on any given day I was stopped dead in my morning tracks by the announcement of this year's Hasselblad Masters. Natalia Evelyn Bencicova is in her early twenties and already making superb photographs, deservedly winning the 2016 award in the Portrait category. Happily, she agreed to be featured in the magazine so I chose images from two series on her website, 'Body' and 'Close' but I frankly would have been happy to publish any of her photographs.
Here's to a bright future for Natalia and a feast of portrait delights for us. Do take the time to visit her website for more glories.
In this latest portfolio, Michael progresses from the melting ice creams of the first 'Transmogrify' series to play around with bubblegum, creating a similar look and evoking more memories of childhood.*
More hands-, or rather teeth-on, he chewed his way into visions of apparitions and organs, dusty curtains and sea creatures, using single pieces of gum after noticing how organic it looked when stretched and lit.
Nairobi-based photographer Patricia Esteve sent in her powerful and empowering series of girls and young women who gain the strength to protect themselves at "Boxgirls" in Nairobi. "This local association promotes boxing in areas where sexual abuse towards women and girls is very common."
"Boxgirls International links innovative projects around the world using boxing as a catalyst for social change. The skills they learn in the ring, improve their strength and resilience, allow them to better negotiate the urban environment and advance further in their schooling, family and career."
Be sure to also check out Patricia's many other important projects, over on her website. But watch this first!
Cara Barer dyes and crumples old books to create these wonderful sculptures which she then photographs. Now through February 27th, 2016, you can see Cara's prints in New York's DUMBO at the Klompching Gallery.
"The artist's creative process includes the transformation of outdated, abandoned and obsolete books into coiled, crumpled and sculptural objects. Following this labor intensive reconfiguration, she photographs them and presents the final artworks as large-scale pigment prints - lush in color, highly detailed and impressive."
Young Antonio Pulgarin has been impressing the photo-community a fair bit over the last couple of years. Personally, I fell for him whilst judging AI-AP's annual competition Latin American Fotografía 2 in 2013, when he entered an image from another body of work about family and identity, "Mother and I".
Here's Antonio talking about this project:
"Over the years I developed a strong connection to the Dominican Republic, the culture, and its people. My goal with this project was not only to shed light on the issues taking place in the Dominican Republic but to celebrate its cultural diversity as well. I initially began this work as a means to connect with my step-father but I connected with so much more. Not only did I build a connection with my step-father but I built one with people of Bani. I wanted to utilize my camera as an instrument..an instrument meant to unify and dispel any sense of separation. As a photographer I feel an immense responsibility to respect, honor, and protect the stories of the individuals I photograph. This sentiment is heightened with this particular project since the subject matter is deeply personal to me."