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Pezhman Zahed is an Iranian-born, UK-based artist who recently graduated with a BA in photography from Brighton University. "My practice incorporates economic data and examines the possibility of translating non-visual data into visual forms."

Pezhman describes his engrossing, ambitious project: "Growing anti-western sentiment stemmed from five decades of struggle with the Anglo-Iranian Oil Company and the reluctant involvement in two world wars, followed by a plot to topple the most popular government in Iranian contemporary history, resulting in the 1979 Islamic Revolution."    

"The photographs demonstrate excited fluids under the effect of sound waves with particular frequencies. The figures used to generate the frequencies correspond to the company's net profits, royalties to Iran and (if applicable) British taxes, in nine most critical years of the company's 42-year long activity in Iran prior to the nationalization. Accompanying the photographs are excerpts from declassified documents and found images related to the events immediately before and after Operation Ajax (the overthrow of the democratically elected Prime Minister, Mohammad Mossadegh, in a CIA/MI6-backed coup d'état in 1953)."


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'Fifi' smokes an argileh water pipe at a cafe in St. Paul, MN, 2012. "I talk a lot when I smoke, but it's fun to do when we girls get together." Many parents don't approve of their daughters going out, but they find ways around the rules. © Alex Potter

Alex Potter is a young photojournalist from the Midwest living in the Middle East. She is currently based between Lebanon and Yemen.

According to her bio: Alex began her career in Minnesota, the land of 10,000 lakes. After growing restless with her nursing job, Alex picked up to document post-revolution Yemen, a land with zero lakes, but plenty of mountains to climb. In 2012, she was selected as a Rotary Ambassadorial Scholar, and moved to Lebanon. 

Though she didn't study photography, Alex has attended the NYTimes Lens Review, Eddie Adams Workshop, and a VII Masterclass, which were much more beneficial than your average classroom. Since 2012 she has been chosen for the Chris Hondros Student Fellowship, Lucie Foundation Emerging Scholarship (2012, 2013), PDN Photo Annual, and American Photography 29, among others.

"Since the start of the war in Somalia, thousands of refugees have settled into bordering and western nations, part of the ever-growing Somali diaspora. One of these largest communities is in Minneapolis, Minnesota. This mid-sized city of 400,000 in the Midwest is home to an estimated 40,000 Somalis. It has been over twenty years since the first refugees arrived. Many were children at the time, now grown into a new generation of young adults, faced with the task of balancing tradition with transformation, heritage and a new identity.  

The community has faced many struggles: recruitment of young men to al Shabab, gang violence, and prejudice of a mid-sized city in the Midwest. Yet through it all, the youth have thrived, and the community is revitalized. They are mentors, artists, poets, and community leaders. Though their stories are different, their message is clear and united - Hanoolaato (Long Live) Somalia."


Here's a bonus, a sample from Alex's work in Yemen:

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Yemeni women spray graffiti on barrier walls leading to the Presidential Palace, demanding the former president be brought to justice, Sana'a, Yemen, 24 December, 2012. The Arabic eventually reads, ليعدم عفاش, meaning "Afash (Saleh's nickname) to be executed"

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'Hide and Seek: The Dubious Nature of Plant Life in High Security Spaces by Adam Walker-Smith,' is a documentary photography project created by a paranoid photojournalist, the alter-ego of British artist Max Colson. Instigated by his discovery of the landscape design programme 'Crime Prevention Through Environmental Design' (CPTED), Walker-Smith's photographic research exposes what he sees as the 'suspect' plants of high security urban spaces.

Officially: Max Colson is a photographer from London who works with text, graphic design and most recently his intriguing alter-ego, Adam Walker-Smith. In 2013 Max was named as a UK winner of the Magenta Foundation's Flash Forward 'emerging photographer' award and was also selected by University College London's 'Urban Lab' to exhibit in their annual show at the Slade School of Fine Art; in 2012 he was exhibited as part of Photofusion's 'Annual Member's Salon'; in 2010 he featured in the 'A Luta Continua' exhibition at Newcastle's Side Gallery.


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Highway 160, Arizona, 2013, © Rob Hann

Road-trip addict and now aCurator's most-published, Rob Hann has kindly been out west again, satisfying my own near-constant hankering to be on the highway. 

"Since October 2001 I've been taking photographic road trips throughout America, mostly in the western states, building a large body of work under the title of 'I Dream a Highway.' I head out whenever I can, usually for about two weeks. On my latest trip I flew into Las Vegas and wandered through eight states before heading back to Vegas and flying home to NYC. I have no fixed route but drive from daybreak to dusk each day before finding a cheap motel to lay my head for the night." Rob Hann, June 2013.


View Rob's previous trip, Lone Star State of Mind.

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Join aCurator favorite Michael Massaia on a trip down memory lane with this new series, 'Saudade.'* 

In my youth I loved amusement arcades, as did Michael Massaia. I guess my UK experience would have differed from the US - not much actual gambling allowed here in the States, so no 'fruit machines' as we knew them, and I'm sure British pinball machines featured far fewer semi-clad women... weren't they all based on American TV shows? 

These machines were produced in the 1960s and '70s. Michael told me "I started working on this a few years back but I ran into all these technical problems when it came to shooting them. I had to modify one of my view cameras so it could get better depth of field at lower f-stops. I also had to use multiple polarizers to get all of the glare off the glass. It was actually very hard to take these. They are shot on large format black and white sheet film developed in pyro, and I'm making the finals selenium toned silver prints."

Ahhhhhhhhhhhhhhh. 


* a feeling of longing, melancholy, or nostalgia that is supposedly characteristic of the Portuguese or Brazilian temperament. - Dictionary.com

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After a successful Kickstarter campaign, Robert Herman has just released his monograph 'The New Yorkers.' The book is full of character and characters with a focus on the colourful 1980s. Born and bred in New York, Herman has been shooting on the street since the 70s, when he was studying at NYU.

The book has notes by consultant, editor, and native New Yorker, Stella Kramer and a foreword by Sean Corcoran of the Museum of the City of New YorkGet your copy now!

Robert will be speaking on Tuesday, June 18th, 2013, at the Apple store on Prince St, NYC, at 7 pm.


View Robert's previous aCurator feature, a road trip in South Africa.

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"The first time I entered this world, I was totally ignorant to pot farming, and riddled with judgment. It took some time for my outsider eyes to adjust to see what was all around me - behind locked gates and camouflaged cabins, past generators and barking dogs, protective firearms and diesel trucks - but also to gain the trust of the community. It is an eclectic group, bound together by a deep knowledge of growing techniques, along with a strong distrust for outsiders; suspicion is a necessary survival trait. These farmers are lured by the single magical and medicinal plant; a plant whose cultivation or possession holds the promise of profit, coupled with possible jail time. As state and local laws, along with public acceptance, are now changing, this once-furtive farming community is coming out of its greenhouses, building bigger ones and growing giant plants in full sun, less fearful of the hum of helicopters, more exposed and confident than ever before."


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Kunterbunt is a travel agency for mentally and/or physically disabled people, located in southern Germany. Photographer Piotr Pietrus sometimes joins them.

"Kunterbunt offers around 60 trips a year of various kinds and destinations while strongly focusing on a respectful and easy approach towards the individual. Based on this philosophy the disabled people are allowed to find themselves in the very rare occasion where usual structures, borders and roles defining their everyday life no longer exist. Whether they are able do it consciously or not, for a while they can experience a freedom and room for self-expression that every person is deeply longing for. Being on the road and documenting their time is a unique opportunity to gain insight into a world unknown to most of us. It is easy to fill a book with the countless experiences of every trip but what remains so special for me is the real honesty I had been confronted with. So refreshingly different from 'our' life the disabled mostly don't wear masks, they simply are themselves. Their inner child can be very inspiring and reminding us of our own one."


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In 2012, Maja Kaszkur and Radek Polak spent two months traveling with championship diver Mateusz Malina in Egypt, Norway, Poland and South Africa, and a month shooting with large and medium format cameras.

"Matt comes from a modest family. Wishing to make his passion come true he worked for two years in a BMW factory in England. He learnt English to learn to dive. His familiarity with the theory is a result of persevering study of the online sources. He could not afford to pay for professional courses nor for individual training. Matt is like Rocky Balboa. People love him as he reminds them of themselves. He is not a star of superhuman abilities. He is just a young man from Ustroń who reached the highest peaks thanks to his great determination."


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A sweet, thoughtful project by Giovanni Savino morphed into a personal effort to preserve a piece of local history.

"A couple of years ago, in a small Dominican town near the Haitian border, I met and became friends with Georgette Michelen and her family. Georgette lives in a beautiful, enormous wooden house her father built at the beginning of last century: 'The House of the Sun.'


"The house has thirty-three external doors and it shines in a decayed, almost surreal beauty, replete with a long, fascinating oral history, virtually embedded in its walls. With Georgette's blessing, I embarked on a completely self-financed project: an extensive photographic exploration of the house, for nearly two months. 

My work was primarily motivated by a sense of impermanence I shared with Georgette; a feeling, perhaps a certainty, that this house and the marvelous mnemonic capsule it embodied wasn't to last much longer due to Georgette's age as well as to a brutal agenda of urban 'modernization,' quite rampant in many Dominican cities nowadays.

While brainstorming with Georgette on how to save and protect the house in a bleak-looking future, I promised her that I would try to edit the best shots as well as some of her thoughts and recollections, derived from the many audio recordings, into a book. Two years and many working hours later, on my own and with the help of several friends of mine, both a self-published book and a website now exist: my humble contribution to preserve at least some of the images, sounds and memories associated with this wonderful building, if not the building itself.

I recently had the immense pleasure of traveling to see her in the Dominican Republic and present her with a copy of the book. As she turned the pages, almost in disbelief, her face glowing, she would only stop smiling to thank me over and over again for all my hard work and commitment. Hopefully, through the book and some web presence we will find someone interested and able to help preserve the incredible house her father built."


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