At the Karsh Estate, we get word from various people when they find something of interest on the web. The curator at the Supreme Court was doing research and came across an article from Popular Science Magazine from 1952, which talks about Karsh and his techniques, his equipment, and his recent "branching out" into industrial work. It is noted that "...because he is fascinated by the human countenance his pictures of factory interiors have workmen's faces in the foreground."

Ford of Canada 'Rear Window', Gow Crapper, 1950 © Yousuf Karsh