Books


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Paolo hit me up with this ongoing project on Stone Town, Zanzibar. According to Wikipedia the name comes from the ubiquitous use of coral stone as the main construction material; this stone gives the town a characteristic, reddish warm colour. Stone Town's architecture has a number of distinctive features, as a result of Arab, Persian, Indian, European, and African traditions mixing together.

Personally, I'm irreligious, but I do love people and culture and beautiful imagery, and helping publicize new images from hard-working photographers. Teamed with a delightful statement from Paolo, we bring you a selection from his new Blurb Book.

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"Hidden by mass tourism, victim of an erroneous and monolithic view of the muslim world, and subordinate to a culturally different mainland following decades of unwanted political union, the muslim Swahili culture of Zanzibar tries to survive against all the odds. Simply by carrying on with their daily life, by being proud of their traditions and by not forgetting the magnificence and splendour of what the Swahili culture once was, the people of Zanzibar are trying
to preserve their heritage, as well as to avoid the temptations of the western world that day after day, through the constant coming and going of tourists, risk destroying a place rich with culture and history.

My personal experience in Zanzibar started by chance following a 3 day stop-over on my way back from Australia to Italy, a stop that turned out to be the beginning of a long-term personal project about the Swahili culture, a work in progress that is paying me back with a huge amount of experiences, feelings and emotions that will remain with me for the rest of my life, a work in progress that hopefully will give justice to this fascinating culture.

The experience time after time of seeing the local people I have met during my stays, the joy of watching their children growing up, the opportunity of being considered one of them, to think of them as individuals with a personal story... this is the magic of photography. Breaking barriers, diving deep in a culture and its people, or as the photographer Bruce Davidson once said, trying to document the story that the subject tells me, rather than the one I want to tell."

All images © Paolo Evangelista

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Martin Brink has a piece in Illiterate Gallery's The Big Picture show, now on in Denver. The print is from his new series 'Trash in Grass' which reflects Martin's usual brilliantly tongue-in-cheek observations of what's immediately in front of him.

He's been busy so there's also an interview with Urbanautica, and his book 'The Daily Round', images from which previously seen here in aCurator, is featured at Various Points.

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All images © Martin Brink

Florio_Jason_Makasutu.jpgI'm not sure how Jason found time to put together a photography book, in between walking the Gambia with a large format camera and going on a 50,000 mile round-the-world assignment, but... he has and "Makasutu - Mecca in the Forest" looks fabulous.

Read about the project.

Buy the book.





Ismaila Denba, Gambian boat captain


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Get Off My Lawn is a 48-page photo-zine, edited and published by photographer Geoffrey Ellis. The zine features the work of eleven photographers who are 34 years and older*. Get Off My Lawn is a tongue-in-cheek response to the calls for entry, contests and publications that require "emerging photographers" to be somewhere between the ages of 18 and 34.

There are 222 hand numbered copies and each of the 11 photographers has their own cover.

'Waiting' © Jennifer Loeber

*Yousuf Karsh would say, you may have a camera and eyes, but until a certain age, you don't really see.

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There were many gorgeous-looking books laid out at the Aperture press preview, not least of all 'Destroy This Memory', photographs by Richard Misrach. The book is being published to coincide with the fifth anniversary of Hurricane Katrina and accompanied by an exhibition on view at the New Orleans Museum of Art July 24 - October 24, 2010.

"The photographs in Richard Misrach's 'Destroy This Memory' (Aperture, August, 2010) are an affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach - who has photographed the region regularly since the 1970s, most notably for his ongoing Cancer Alley project - found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk, or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical, and even darkly humorous, the phrases he captured - the only text that appears in the book - offer unique and revealing human perspectives on the devastation and shock left in the wake of this disaster."

Destroy This Memory, photos by Richard Misrach


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Proof: Media for Social Justice is a non-profit created to educate global citizens about the economic, political and humanitarian hardships facing post-conflict societies issuing a variety of media.

One of Proof's current initiatives is 'Child Soldiers'. Up to half a million children have been engaged in more than 85 conflicts worldwide. Proof produced the exhibition, 'Child Soldiers: Forced to be Cruel' based on the book by Leora Kahn, which features 40 photographs taken of child soldiers from all over the world, which "seeks to illustrate the story of children subjected to unspeakable violence and manipulated by war criminals."

Learn more and see how you can support the organization. Donations over $1000 receive a print. You can also buy the 'Child Soldiers' book.

Photo: Peter Mantello

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Gina LeVay's 'Sandhogs' book is in the shops, and Gina's on the radio. Listen to her and one of the 'hogs discuss the massive New York water project going on 800+ feet beneath Manhattan that few of us are even aware of. Gina worked seriously hard to gain the confidence of the 'hogs with her persistence and professionalism, and the resulting images are vibrant and eye-opening, not how one might expect them to be so deep under ground.

Sandhogs © Gina LeVay

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Phillip Toledano's project "Days With My Father" is nothing but open, honest photography and feelings laid bare. Almost overwhelming but completely compelling, the project is a series of photographs of Phillip's elderly father who was suffering badly from a lack of short-term memory. Facing what many of us may have to, Phillip recorded some beautiful moments, some haunting, some funny. I'm touched that he could be so brave as to make this available to the public, and he himself is humbled; he's had over a million hits to the website and received hundreds of emails. There will be a book in 2010.

Thanks Phillip, you owe me and a million+ other people a box of tissues.

From "Days With My Father" © Phillip Toledano

Ickes_Harold_1944.jpgI see that Harold M. Ickes is consulting New York Governor David Paterson - a man with about a 20% approval rating clearly needs the help. Harold M. Ickes was White House Deputy Chief of Staff for President Bill Clinton. His father, Harold L. Ickes, was Secretary of the Interior from 1933 to 1946 and served under FDR, implementing much of Roosevelt's 'New Deal'. This photograph was licensed for use in a new book by Ken Burns/Dayton Duncan; you can see a little teeny tiny slideshow of some pages at the Random House website.

Harold L. Ickes, 1944 © Yousuf Karsh

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Nothing against Jim Marshall but how good it is to learn Andy Earl has a book of his Johnny Cash photos coming out and an exhibition with our mates at Snap Galleries in their new location in Central London, opening November 18th, 2009.

Johnny Cash, Telegraph © Andy Earl

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