The photography world lost a Great last month, with the departure of the lovely Harold Feinstein
. Feinstein's wife, Judith Thompson, had wisely spent several years recording him speaking about his life and work - just a short clip of which is seen here. "This clip, edited from a 15 minute reverie on life and photography came from a taped conversation on June 17th, just three days before he passed. Here he speaks about the gift of life and the continuous adventure of unwrapping this gift...even after departing from the body. Harold's appreciation for life and beauty will live on through his images and teachings for generations to come."
Sometimes it just takes a fresh view, a new set of eyeballs, to turn something spotty into something cohesive. That's where I come in. I work quickly, with no frills, to get the best out of your photographs. With 25 years in the photography industry under my belt, I bring a variety of experience.
"Julie was extremely helpful in editing and sequencing my project. She has an incisive eye, a forthright manner and a wonderful sensibility. She clearly addressed all of my concerns, and she gave me valuable advice for improving my project statement. Talking with her on the phone was the best part of the process. Julie went above and beyond in her efforts, and I'm delighted to give her my highest recommendation." Stan Raucher
* Edit and sequence 100 images down to however many you need, or as many as I think: $150
Add on 15 minutes phone or Skype: $200
* Review your website/online presence and write up a report: $150
Add on 15 minutes phone or Skype: $200
Summer/Fall 2015 special offer:
* One hour consult by phone or Skype $250
We can cover a lot in an hour, specifically, or more generally.
Discounts available for more than one hour.
Repeat clients can contact me for reduced rates.
Interview from the 2010 launch of aCurator Magazine
Selected judging, reviewing, curation:
Curated their annual exhibition, and portfolio reviews
. I mentor two fabulous women who live in Norway. We met up in London for two 3-hour sessions and they blogged about it.
"Marco and I thought that our talk was very productive and hands-on where appropriate. You equally provided plenty of food for thought and insight that will help us move forward and focus on areas that require improvements/changes. This feels exciting, so thank you!" Hanni Cerutti
"Really, not to sound overly gushy or anything, but you are my favorite reviewer... so much fun, such great energy, so much information to generously share in such a straight forward and honest manner. Some people just get it when they look at work, and then they have the confidence to trust their instincts. You are one of those rare few. Thank you!!!" Stephen Tomasko
"Grahame is a curator with a flawless eye and, in her assessment of the work she presents, an immediately trustworthy, no-frills tone... aCurator's triumph is a clarity of purpose wedded to a keen intelligence, and a willingness to let its stunning photographs largely speak for themselves." Life.com
"I have worked with Julie for a number of years and consider myself very fortunate to have her as a colleague. Everything she takes on - small or large, simple or complex - is done with an efficient mix of good judgement, humor, and competence. I am happy to recommend her without any qualifications." Jerry Fielder, Curator and Director, Estate of Yousuf Karsh
"I never knew what a bad editor I was... I am truly grateful for all your insights." Anon.
In 1971, Yousuf Karsh published a book of his portraits titled "Faces of Our Time
" (University of Toronto Press). It included his iconic, intimate photographs of John F. Kennedy, Helen Keller, Albert Schweitzer, Ravi Shankar, Tennessee Williams, and many more. Anyone who is familiar with Karsh will know that the success of his portraits resulted from his respect for, and knowledge of, his subjects. When photographers have a good amount of time with their subject, so much more is revealed in the resulting portrait as a connection is made. When a photographer has to grab 2 minutes in a bland hotel room, they get nothing but a flat record of some face.
is a brilliant man, wonderful photographer, still-young and -prolific veteran artist. His new book, "Faces of Our Time," will be filled with his own intimate and iconic portraits made over the last 35 years. From Quentin Crisp, to Gabriel Garcia Marquez, to Hugo Chavez, Pyke has made his own mark with the luminaries of the 20th century.
Help get this book of photos and stories published through Unbound. You get the e-book for only £10!
Previous contributors Marianna Francese and Jaad Gaillet have completed their three-year-long project in Istanbul. "We were students in Istanbul in 2011. It was by chance that we lived in the neighbourhood of Tarlabaşı, in the last months of our stay in Istanbul. People told us to never enter the region because it was too dangerous. Located a few minutes from the famous Taksim Square and Gezi Park, it was in the labyrinthine streets of Tarlabaşı that the protesters refuged from the police during the last months of protests. Yet urban planning in Tarlabaşı has not generated the same enthusiasm of the people to defend this place, perhaps simply because many do not like this neighborhood because is dirty, dangerous... But the choice to defend Gezi Park - it is environmentally friendly, it is mostly symbolic face to the urban renewal campaign that hits Istanbul."
They are now seeking funding to take the project to the next level with a documentary film which focuses on "Mustafa."
"After wandering through several areas of Istanbul and taking up all kinds of informal jobs since his release from prison, "Mustafa from Adana", in his fifties, decides to start over and settle in Tarlabaşı; this is where he becomes a waste picker. It is in this cosmopolitan area, doomed to disappear, that he creates a new life."
See their full-screen feature in aCurator magazine
We're helping out "Headphones for Haiti" - here's some of the press release.
Monster personal audio is partnering with the Enigma Performing Arts and Convention Center of Haiti (EPAC HAITI), for the "Headphones for Haiti" fundraising initiative that will benefit the people and culture of Haiti.
As part of the initiative, Monster is donating 100 pairs of its Inspiration headphones to be used as "blank canvases" that will be hand-painted by ten renowned Haitian Master Painters, including Frantz Zephirin, St. Jean Saint Juste, Richard Barbot, Mario Benjamin, Patricia Brintle, Joseph Eddy Pierre, Yael Talleyrand, Pascal Merisier aka "Pasko", Levoy exil, Harold Dessalines, Pascale Monnin, Philippe Dodard and Patrick Ganthier aka "Killy".
Each Master Painter was given ten headphones to transform into unique, personalized works of art. Ten of the completed hand-painted headphones will also have accompanying canvas paintings by the artists, which will be auctioned off at the celebratory launch event in New York City on June 25, 2014.
The additional hand-painted headphones will be auctioned on eBay
from June 23 to July 1, 2014. All money raised at both the New York silent auction and the online auction will be used to help fund construction of the new performing arts center EPAC HAITI. In addition to helping fund this ambitious construction enterprise, the goal of the "Headphones for Haiti" program is to generate positive awareness about the art, culture and people of Haiti as the Caribbean nation continues to rebuild in the aftermath of the devastating 2010 earthquake. The "Headphones for Haiti" project is part of Monster Cares™, Monster's charitable division that was created to support local charities with education, music, sports and technology. They look fly - get bidding
's "Great Expectations" ran here in the blog
a couple of years ago. Through a series of vignettes, shown on two side-by-side films, Jana explores the societal and relationship roles through the icons of Barbie and Ken while creating a unique individual viewer experience: In order to display the series Jana built a replica Viewmaster stereoscope. This beast/beauty is now up for sale!
"Jana Cruder's 'VIEWMASTER' titled "All that Glitters is Gold" a piece that combines the artist's mild obsession with nostalgic nuances with her increasing curiosity of the moving image. Jana's golden VIEWMASTER is an exact replica of a 1956 Bakelite VIEWMASTER
. This sculpture stands 5' 4" and spans over 36'' wide. This hand built, carved and sanded piece is meticulous in its execution. The golden reflective automotive painted finish gives the piece a real 'plastic' feel."
Check out the stop-motion film
, and take a closer look at the Viewmaster below. If you're in the market, you can reach Jana via her website