"This 24th April will mark a year of Rana Plaza collapse and death of a thousand workers, thousand dreams. To observe this day, Artist practicing in different mediums including Photography, Installation, Performance Art, Sound, Film, Theater & Music will be holding a group exhibition."
© Rahul Talukder
A CBS news
article said today "...promises of compensation for survivors of the disaster and the victims' families have been only partially kept, according to Human Rights Watch. The non-governmental organization says a financial trust fund, chaired by the International Labour Organization, was targeted to receive $40 million from global companies that purchased products from the Rana Plaza factories. However, only $15 million has been contributed so far.
"The group also says none of the 15 international retailers whose clothing and brand labels were found in the rubble of the factory by journalists and labor activists have donated to the fund."
Bangladeshi garment worker Mariyam, 30, who worked on the 6th floor of Rana Plaza, with her sister at Enam Medical College, in Savar, near Dhaka, Bangladesh. Mariyam had her right arm amputated to free her from the rubble when she was rescued nearly 72 hours after the building collapsed. © Suvra Kanti Das
Bangladeshi garment worker Aroti, 16, who worked on the 5th floor of Rana Plaza, at Enam Medical College Hospital, Savar, Bangladesh. © Suvra Kanti Das
Siraj Uddin and Majeda Khatun, parents of New Wave Style factory's worker Shirin, 18, have found their beloved daughter's dead body in the morgue after 12 days. © Taslima Akhter
Poly Akhter's mother, Shahana, grieves for her. Her other daughter, Dalia, also worked in the factory complex but did not go to work on the day of the collapse. © Taslima Akhter
"Day 9: I was waiting on the backside of the building when demolition started with heavy machines and rubbles were removed then suddenly I saw few bodies were hanging." © Tushikur Rahman
A bonus further to Jill's feature on the Hirjas, I am just blown away by this. See the stills and more on Jill Peters
is a critically acclaimed photographer whose portraits explore identity, sexuality and culture, past and present. I am thrilled to publish her gorgeous portraits of the stunning Indian hijras she met on her travels.
"On my first trip to India in 2007, I was intrigued by the sight of what seemed to be a group of male cross-dressers in saris walking towards me on a bright beautiful afternoon in a New Delhi market. They were giggling and flirting with the men as they made their way through the narrow street lined with small shops. The man selling leather sandals groaned when he saw them approaching, embarrassed when they turned their attention toward him. He said something to them, one retorted, and they all burst out laughing. He turned red. I asked my guide who they were. Hijras, he said. Chakkas. There are many names for them; some of them not so polite. Then he rolled his eyes, "Stay away from them, bad news," he said.
"On my next few trips to India, I began to photograph the hijras I met on the street. As we became closer, I learned that most hijras lead a very difficult and transient life. As soon as I befriended one group we would lose contact when they moved on, got new cell phone numbers, changed cities, and disappeared. Each story would begin the same way - a little boy from a small village who felt different at an early age, cast out by his family when everyone realized he was not like other boys. Each of their stories is unique and offers a glimpse into the lives of people who are in turn marked, judged, condemned and sometimes eventually accepted by those they love."
"My intention was simply to portray them as the subjects of beauty and grace they so desperately wish to be, as if their path to nirvana had not been impeded by a century and a half of prejudice and intolerance."
Since working with Jill on this feature, India granted its "third gender" full legal recognition. An article in the Guardian
states: "The change follows similar legislation in Nepal, Pakistan and Bangladesh. This means that now, for the first time, there are quotas of government jobs and college places for hijras. The decision has been cheered by activists, who say that, despite its distinguished history, the community too often faces violence and harassment."View the full screen magazine photo feature
Diegesis is a style of fiction storytelling which presents an interior view of a world and is
that world itself experienced by the characters in situations and events of the narrative.
"After doing architecture, design and philosophy I dove into photography. With the sort of enthusiasm that drives you to move forward, or better still, inwards. Hoping to discover within, rather than outside myself, what I am trying to show. I choose to take pictures not prepared. I try to get the expression through the economy of resources. Focusing on the details that strike me as essential. Suggesting clearly, presenting without describing."
T'was a long hard winter on the east coast of the USA for all flora and fauna. Christine Anderson
tells a tale of two mice and their attempts to escape their captors in New Jersey.
Of course, Christine was in fact having a laugh, as she rescued and ultimately adopted the tiny buggers. A woman after my own heart.
"I'm hugely influenced by dadaism and neo-dadaism for this photography project. I explore a peculiar combination of photography, painting & collage. I create three dimensional collages with found objects, food and cheaply printed old paintings. I turn pre-existing works of art into Duchampian ready-mades and take photographs of them."
All images © Zeren Badar
New York, 1964 World's Fair, "Peace Through Understanding" Unisphere, 2009 © Jade Doskow
Dear friend of aCurator, a personal favourite, delightful Jade Doskow
has been producing images of World's Fair sites around the US, and other countries, over the last few years.
Wall Space Gallery
in Santa Barbara, California, is pleased to announce that Jade will be in the gallery on Saturday, April 19th, at 2 pm, to discuss her 'Lost Utopia' project, which looks at current uses for, and remnants of, World's Fair Sites.
And it's the 50th anniversary of the New York Unisphere this month. Buy a print
"Driving West into New York City on the Long Island Expressway after passing nondescript strip malls and housing complexes, something unexpected appears on the horizon in the middle of a park green. A humongous steel globe towers over the park below, and beyond that looms a gigantic ovoid structure, supported by trunky concrete columns and painted in bold red and yellow. Receding beyond it are two towers that could best be described as supernatural landing pads. This is not a sci-fi movie set, but rather the site of the 1964 World's Fair in Flushing Meadows, Queens, New York. The globe is the icon from this event, the Unisphere (weighing in at 900,000 pounds of solid steel) and the other structure is the New York State Pavilion, designed by Philip Johnson." Jade Doskow.
Daw Thaw Yin with her machete, and daily cheroot, Myanmar, 2011. From "The Machete Project" © Vanessa Ahlsborn
In 2006 Vanessa Ahlsborn bought her first knife as a memento whilst traveling. Since then her interest in the utilitarian tools has led her around the world producing this simply wonderful personal project. I think Vanessa is destined for greatness!
"The Machete Project
is an ongoing portrait and object archive that showcases the diversity of this blade style and the beauty of its users. Despite their fearsome reputation in western news media and popular culture, the machete is an extremely versatile and commonplace asset for many people across the world. By documenting the everyday user for whom the machete is an invaluable tool, the project seeks to question the viewer's assumptions about the machete, and by extension, the people who use it."
is a photographer and graphic artist. In his latest body of work, "The Space Between," he presents New York's architecture in an imaginary, yet hyper-real way.
Marc sees things differently; we talked about him having almost synesthesic moments as he walks around New York. His photographs are a result of his vision and precise post-production, and invoke a nostalgia that on the whole, New York has no time for (though I believe the new mayor is being lobbied to create a listed buildings register for those over 75 years old.) He adds more depth by layering images over antique textured paper.
"I'm drawn to the majestic details and materials of classical historical buildings, many of which are hidden from view, tucked behind new architecture. In these instances, a mere sliver of old, of history, is there to be photographed, leaving me to recreate the rest of the building to make it whole again."
There are 21 photographs in Marc's upcoming solo exhibition at ClampArt
in Chelsea, New York, which opens April 3, 2014.
is a photographer who enjoys modeling for other artists. But Michael has suffered a plethora of serious health issues during his lifetime and as the effects of multiple disorders increases, he has found this posing becoming increasingly challenging. To help process that, he made a series of self-portraits, saying: "I became intrigued with the idea of photographing myself in this process of decay, both on a personal level and displayed on the modeling stand in a predetermined pose and time interval." Michael tries to maintain half-hour exposures to capture all his tics.
I see strength in his photos,and ownership of his situation, and admirable braveness!