Hosted at Spectrum in Brighton and part of Brighton Fringe, Behind the Beat is a group exhibition exploring the movements and scenes over the last 50 years that have been defined by the fashion, music and stories associated with them. Through Teds, Punks, Mods, Skins, Rudeboys, B Boys and Girls, Rave to Grime with plenty in between, the exhibition incorporates photographs from some of the UK's most celebrated documentarians, including Dean Chalkley and Harris Elliott, Derek Ridgers, Elaine Constantine, Ken Russell, Stuart Griffiths, Ali Tollervey, Gavin Watson, Olivia Rose and Paul Hallam. Behind the Beat is curated by Miniclick and Ali Tollervey.
In addition to the 9 artists, the exhibition will also incorporate images, memorabilia and unique audio recordings of stories on the scenes, all submitted by the public.
Behind the Beat will be open every weekend through May, from 10am to 6pm at Spectrum, 42 Frederick Place, Brighton, UK.
Two photographers have combined their coverage of years' worth of gigs at London's 100 Club and are reaching out to you to help fund the book. This year, it's the 75th anniversary of live music at the club. Perfect timing!
"The idea of this book started life, like a lot of things, down the pub. We were four mates and regular gig goers, moaning about the prospect of yet another music venue being forced to close."
"And then it came to us. Two of us - Darren Russell and Kingsley Davis are regular photographers at the 100 Club. Stephen Dowling is a music writer, and Neil Pond is a publishing project manager. That meant we had an archive of photographs taken at London's most iconic venue, spanning four decades, and writing and design experience as well. The 100 Club's 75th anniversary was approaching, so we saw the opportunity to create a high-quality photographic book that would not only celebrate this wonderful venue, but also include the voices of the people who help make the 100 Club what it is."
Bands in the book include such diverse musicians as Babyshambles, Chuck Berry, Hugh Laurie and Lee Scratch Perry!
Terri Gold has been featured regularly in aCurator since 2010*. Nothing beats seeing a project go from strength to strength and witnessing a photographer stick to their dreams. With that, it pleases me to announce a new exhibition for Terri which opens on April 19th, 2017 at Salomon Arts Gallery in Tribeca, New York.
Namibia. A Himba woman by the firelight.
"Terri Gold is an award-winning international photographer who is known for her poetic infrared imagery of the remote corners of the globe and the indigenous cultures that inhabit them. Her ongoing project that examines cross-cultural truths, "Still Points in a Turning World," is on view at the Salomon Arts Gallery in Tribeca." April 19 - May 11, 2017, with an opening reception 5.30 - 8.30 on the 19th.
Kenya. Maasai men making a fire.
Ethiopia. Living in harmony with nature, the Suri daily adorn their bodies with materials from the world around them, using plants, animal hides, clay, and colorfully paint their bodies with these natural pigments.
Kenya. The Samburu men, their faces painted red with crimson ochre and impressive sets of brightly colored feathers swaying atop their heads.
Sossusvlei, Namibia. The winds blow across the land from east and west, forcing the sand upward like ocean waves, and mysterious shadows form.
Polish photographer Kamil Sleszynski graced me with this story about a center for addiction therapy last year. "The Catholic Centre for Education and Addiction Therapy Metanoia exists since 2000. The facility helps young people addicted to drugs and alcohol.
"Located in the Knyszynska Forest in Poland, it occupies the former administration building Agroma - plants which in the past produced agricultural machinery, home appliances, and probably also weapons. Unfortunately the resort is in poor condition. If by the end of the year does not collect money for repairs, will be closed."
Since then, Kamil reports that money was raised and the center has been saved. Kamil worked hard promoting this story - perhaps it helped.
Three years ago Jamie Johnson took a trip to Ireland to photograph a community of travellers. "It is not an easy community to penetrate, they have faced such discrimination and racism they are very skeptical of outsiders. It was an amazing journey and I made connections with so many kind and generous families. They allowed me to photograph their lives and cultures. The children followed me around and took turning using my cameras. I learned their traditions of being sharply dressed young boys and overly dressed young girls yet still very catholic, their goals of falling in love, getting married young and producing many children. and a strong sense of taking care of each other and family values and always respecting God."
She returned to photograph them in Limerick in 2015/2016, and I am thrilled that she submitted these photos along with her story (it's four years since we met at a portfolio review... It's important to stay in touch!) You can see there was an intimacy in these dynamics that makes all the difference in the resulting photographs.
"Travellers are an indigenous minority who, have been part of Irish society for centuries. Travellers long shared history, cultural values, language, customs and traditions make them a self-defined group, and one which is recognizable and distinct. Their culture and way of life, of which nomadism is an important factor, distinguishes them from the sedentary (settled) population. The Irish Travelers are a nomadic population, living on the fringes of society. Often uneducated, this Catholic community is required to marry within their clan. There are an estimated 25,000 Travellers in Ireland, making up more than 4,485 Traveller families. This constitutes approximately 0.5% of the total national population. It is estimated that an additional 15,000 Irish Travellers live in Britain, with a further 10,000 Travellers of Irish descent living in the United States of America. Travellers, as individuals and as a group, experience a high level of prejudice and exclusion in Irish society."
"I returned to Ireland last year and I felt a deeper connection with the wonderful people I met. They brought me up to date with family gossip and life events and welcomed me into their extended families where I spent time with Travellers of all ages. A group of family matriarchs invited me in each day, gave me a beer and told me all the stories since I had last visited. Who got engaged, married, who got arrested, who lost their caravan, who got a bigger caravan, a really genuine group of women happy to have a new American friend. They told me how sorry they felt for me that I only had two children, and my goals should be to have many. They were as interested in my strange Los Angeles life as I was of theirs. I was struck by the timeless quality of their faces and the deep connection to family. As when I photograph anywhere, it is always the children who draw me in.
"I love listening to their stories and thoughts on life. Growing up in this nomadic life style is all they know and they are quite proud people. The prejudice is hard to believe until you see it with your own eyes. An 11 year old friend wanted to look at new clothes and asked me to come with her to the shop on the high street as they most likely would not let her in. We went in together and looked at cute trendy clothes and the lady followed us around the store so closely I could feel her breath on my neck. I watch the police harass many of my young friends for just walking around. I heard well-dressed Irish women call them "trash" loudly as they walked by. These kids are sweet but tough as this is the only lifestyle they know. This warm generous family orientated community seeks good lives for their children, great hopes for their community and works to carry on their family culture and traditions through many generations by telling all the wonderful stories of their grandparents and great grandparents travels. They seek equality and hope to rid for the next generation the extreme prejudice that has faced theirs."
Truls Nord is an artist I had the extremely great pleasure of meeting in Norway last year. Since then, in amongst the other creative things swirling around in his head, he's only gone and completed this fantastic project!
Gerhard Richter is now a staple in artistic history, which is a strange notion given he's still hugely prolific in his making and production. In no short order he is significant in many places, to many people, to all kinds of making and mediums. I must declare my own admiration, especially now that I've seen Richter's 40 Tage. A collection of 40 graphite drawings that miraculously sketch a design of his abstract works that I would never thought possible to blueprint. The finesse of Richter's mark making is truly perplexing. The gesture is not nearly as random as it is wonderfully understood. Coercing possibilities of materials is a knowable craft and seeing the results of Richter's practician is subtle and monumental.
An exhibition in conjunction with the release of this limited edition book is on now through April 9, 2017, at HENI, First Floor, 6-10 Lexington Street, London, W1.
Young Loreal Prystaj was one of the most enthusiastic students I met on a visit to a photography class in 2012. Fast forward to 2016, she thankfully kept in touch and I was thrilled to see this series she made during a month-long artists' residence in Finland last summer. She inserted herself into the beautiful landscape to reflect upon nature. Simply gorgeous.
"Often times, mirrors are used to emphasize the minute details, but rarely used to look at the big picture. What if nature looked at itself? What would it see? What would we be?"
Powerful images from a photo newbie. Leif Sandberg uses photography to examine life after a cancer scare.
"The Ending project is my first major photo project, with its roots in panic, anxiety and the fear of growing old. After surgery for possible pancreas cancer in 2007, followed by a year's convalescence, I was faced with the inevitable question of what to do with the rest of my life. A second chance. An interest in art and photography has followed me since my teens, although that was not my choice in life. Until now."
The photographs have been collected into a book, Ending, out now from Boecker Books, Stockholm. Check it out on Leif's website.
I am pleased and honored to share Scott Houston's insight into the overwhelming subject of the racist mass incarceration of Americans, Incarceration Inc.: Today's American Slavery. The project features male and female inmates of Estrella Jail in Phoenix, Arizona, shown inside the jail, and outside performing their chain gang duties, and is accompanied by Scott's impassioned writing.
"The United States now has the highest rate of incarceration in the world by far, with 2.2 million citizens in prisons or jail. This phenomenon has generally been driven by changes in laws, policing, and sentencing, not by changes in behavior. The results have disproportionately impacted poor and disenfranchised communities mostly people of color, and African American men. These historic changes remain nearly invisible to many Americans.
"American slavery was technically abolished in 1865, but a loophole in the 13th Amendment has allowed it to continue as "punishment for crimes" well into the 21st century. Corporations have lobbied for a broader definition of "crime" in the last 150 years. As a result, there are more dark-skinned people performing mandatory, essentially unpaid, hard labor in America today than there were in 1830. The vast majority of prisoners have been locked up for non-violent, victimless crimes, many of them drug related. With such a large population incarcerated it comes as no surprise that big business began tapping into this potentially cost-free workforce.
"Incarceration is the new American slavery. This slavery is supported by laws and corporate interests."
"McDonalds, the world's most successful fast food franchise, purchases a plethora of goods manufactured in prisons, including plastic cutlery, containers, and uniforms. The inmates who sew McDonalds uniforms make even less money by the hour than the people who wear them. Wal-Mart's company policy clearly states that "forced or prison labor will not be tolerated by Wal-Mart" when basically every item in their store has been supplied by third party prison labor factories. Wal-Mart purchases its produce from prison farms, where laborers are often subjected to long hours in the blazing heat without adequate food or water. Other corporate businesses that profit from exploiting free prison labor are: Bank of America, K-Mart, Chevron, Exxon Mobil, Koch Industries, Microsoft, Pfizer, Pepsi, Shell, Starbucks, UPS, Verizon, Wendy's, and many, many more.
"Incarceration Inc. Today's American Slavery" is a multi-media project that addresses mass incarceration in the United States. American prisons today are functioning as commercial enterprises, backed by corporations. The U.S. justice system is riddled with racial oppression. Private business are taking advantage of vulnerable, powerless, and disenfranchised prisoners who are mostly people of color, and African American men. The invisible exploitation of cost-free inmate labor is growing."