For PDN's The Curator Award
(dull logo, non-consonant with their brand) you pay to enter, you hand over your rights in your images - or maybe not! and get a Moab Chinle portfolio if you win. We don't know what kind, how many pages, whether it's custom made. They kindly let you enter after their deadline if you pay more - but a deadline is the latest time at which something should be completed.
"You retain copyright to your photograph and the Sponsors may not sell your photo entry for a fee." and yet "Entries become the property of Sponsors and will not be returned or acknowledged."
I am not a fan of PDN, a lack of transparency around their competitions has bugged me for years - read comments on PDN Pulse
and Rob Haggart's blog
about last year's Photo Annual and be wary - their fees for that went up this year ('cos you all did 10% better last year, right?)Prop Howard, hand in pants © Chris Weeks
I believe whole-heartedly in reason and have a naturalistic worldview, so I'm only posting this
because I got such a good laugh out of it. The story is about how Lawrence Fried and Uri Geller had a photo session and Geller was supposedly able to project his image onto unexposed film. Geller has been soundly debunked over the years but there's still good value in the stories.
Fortunately for me, and now for you, I landed at Jennifer Spelman's Photo Coleslaw
blog yesterday and subsequently fell in love with Marvin and, clicking through to her website
, the rest of The South series. As well as the images being lovely, I like the tone of her writing; it seems as if Jennifer's just starting her blog and I'm encouraging her to keep posting - we need fabulous content on the web so we've all got decent things to link to.
The ICP Triennial is ending this week. I found the opening night really annoying, getting shoved and elbowed more times than I care to mention, and having inhaled enough hair spray and perfume to kill a small animal. So, I'm personally not rushing to the 'Closing Party' and now I've seen the invitation I'm not likely to change my mind - but is Justin Timberlake going?
'Sandhogs' book is in the shops, and Gina's on the radio
. Listen to her and one of the 'hogs discuss the massive New York water project going on 800+ feet beneath Manhattan that few of us are even aware of. Gina worked seriously hard to gain the confidence of the 'hogs with her persistence and professionalism, and the resulting images are vibrant and eye-opening, not how one might expect them to be so deep under ground. Sandhogs © Gina LeVay
My web designer
* is the best. As well as this gorgeous blog, he's built me a magazine, he fixes my problems, gets me traffic, and refuses to change the size of my logo.
Face it, your images, and probably your logo, are too small - your website is old and sad and needs updating. Call bigflannel
© Ted Morrison Photography, © bigflannel web design
*According to some stickler in CA, I should disclose the fact that I'm sleeping with bigflannel.
is teaching an 8 week photography class at his gallery
on Elizabeth Street in Soho, NY, starting on January 27th. According to the blurb "Issues of technical competence, aesthetic concerns, differing lives in photography, artistic deficiencies, as well as the issue of exploitation and empathy will be addressed through discourse, presentation, and critique sessions." Usually taught at ICP, you can take advantage of a more intimate class if you sign up now (and it'll cost less too). Guest artists will present their work, and Thatcher is a really interesting and talented character. Find out more
I am bringing up the rear here as Stephen Mallon's Flight 1549
series has been blogged and blogged again, but it's almost a year since the event unfolded and there's an exhibition at Calumet
in New York for the anniversary (reception January 15th). Steve was commissioned by the crane company to photograph the plane being salvaged, and posted a selection on his website. Fun and games ensued with Steve being hassled by the plane's insurance company and all the photo community yelling "free speech!". Ultimately, he was able to keep and publish much of this incredible and exclusive record. It's a chilling memory; Steve's work makes it haunting and beautiful.Flight 1549 © Stephen Mallon
The Esquire cover was a pretty great way to end 2009 but we also had Ted Kennedy published in the year-end issue of the New York Times magazine. Now that all the boys are dead I wonder what secrets might come out. I understand The History Channel is making a documentary about them and their father for release next year.Edward Kennedy, 1968 © Yousuf Karsh
British photographer Andrew Prentice
is a recent graduate from City of Westminster College, London. His work has already been publicly exhibited - this photograph was selected for inclusion in 'Free Range
', Europe's "largest graduate art and design show". There's a timelessness and Britishness to this image, I feel it could have been taken any year since the 60's.Lido, 2008 © Andrew Prentice